Nina Vroemen

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	<title>Nina Vroemen - Artist</title>
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	<pubDate>Wed, 27 Nov 2019 03:10:29 +0000</pubDate>
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		<title>NINA VROEMEN</title>
				
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		<pubDate>Wed, 30 Oct 2019 20:17:41 +0000</pubDate>

		<dc:creator>Nina Vroemen - Artist</dc:creator>

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		<title>SOLO WORK</title>
				
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		<pubDate>Thu, 14 Nov 2019 16:15:23 +0000</pubDate>

		<dc:creator>Nina Vroemen - Artist</dc:creator>

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ART / WORKSHOPS /

PERFORMANCE/&#38;nbsp;MUSIC / PRINT &#38;amp; PAPER 


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		<title>CREATIVE COLLABORATIONS</title>
				
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		<pubDate>Thu, 14 Nov 2019 16:16:04 +0000</pubDate>

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	HORIZON FACTORY


	/
	WATER%HOLDING
	/
	H.E. A.D.

	
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		<pubDate>Thu, 14 Nov 2019 16:16:07 +0000</pubDate>

		<dc:creator>Nina Vroemen - Artist</dc:creator>

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		<title>BIO/CONTACT</title>
				
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		<pubDate>Wed, 30 Oct 2019 20:17:45 +0000</pubDate>

		<dc:creator>Nina Vroemen - Artist</dc:creator>

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		<description>&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;


&#60;img width="1026" height="1564" width_o="1026" height_o="1564" data-src="https://freight.cargo.site/t/original/i/1cfa9445865e30c0020acf341b7dfb3bf7a4178c88863103555421c98e61ff34/Screen-Shot-2026-04-15-at-9.18.03-AM.png" data-mid="247232624" border="0"  src="https://freight.cargo.site/w/1000/i/1cfa9445865e30c0020acf341b7dfb3bf7a4178c88863103555421c98e61ff34/Screen-Shot-2026-04-15-at-9.18.03-AM.png" /&#62;

(photo: JG (Material Group) 2026)


I am interested in how art can activate an ecological way of thinking rooted in environmental and social justice. Scientific and surreal, my work intertwines the elemental and mythological. Through experimental methods that span video, performance, ceramics, collage and installation, I practice storytelling, revealing intimacies in the unexpected. I am fascinated by the agency and legacies of materials and their potential as witnesses; full of history, story, warning, and hope. 

My current research focuses on nuclear colonialism and deep time stewardship.

Water flows through all my work, it carries the poetics and politics of this miraculous substance that supports all life on the planet Earth.


--- Bio---
Nina Vroemen is a multidisciplinary artist and educator born in Gatineau, Quebec, and based in Tiohtiá:ke (Montreal), on the traditional territory of the Kanien’kehà:ka. Their practice spans video, performance, ceramics, and installation. It is grounded in research-driven, experimental methodologies that examine how artistic practice can activate ecological ways of thinking grounded in environmental and social justice. They hold an MFA in Sculpture and Ceramics from Concordia University (2024).

Vroemen’s work has been presented in solo exhibitions at&#38;nbsp; L’Ecart (QC, 2025), Agrégat (QC, 2025), and PHI (Montreal, 2025), and in group exhibitions at institutions including NERMA (Australia, 2025), the Critical Media Lab at McGill (2025), the Beall Center for Art + Technology (CA, 2025), the Leonard &#38;amp; Bina Ellen Art Gallery (QC, 2024), and Centre Clark (QC, 2022). In February 2026, they will present work as part of Briser la glace: La biennale de Québec at MAC Baie-Saint-Paul.

Performance and time-based works have been presented at festivals such as Manifestation JE/US (QC, 2024), Sight and Sound (Eastern Bloc, 2024), Sentient Disobedience (PHI, 2024), Marées: Queer Tides (Gallery Sans Nom, 2023), and Place Publique (Darling Foundry, 2020). Their research-creation has been supported through residencies at PHI (2024), Studio Kura (Japan, 2024), Eastern Bloc (2023), PAF (France, 2023), Watershed Art and Ecology (Chicago, 2023), ARTSCAPE Gibraltar (2022), and RURART (2020). This year (2026), they are the recipient of the DePOT Artist-in-Residence Fellowship and the Woodhaven Artist-Scientist-in-Residence at UBC.
Vroemen’s writing and artistic research have been published in Bodies of Sound (Silver Press), Being a Body of Water (PHI), Engaging the Margins (Brill), and esse: art + opinions, amongst others. Most recently, their collaboration with Erin Hill, Horizon Factory, appears on the cover of Espace: art actuel no. 142 and will participate iin a roundtable at Plural Contemporary Art Fair (2026).
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;︎

EMAIL:
ninavroemenat gmail dot com


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		<title>VIDEO</title>
				
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		<pubDate>Thu, 21 Nov 2019 20:12:07 +0000</pubDate>

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ART / WORKSHOPS /
 PERFORMANCE /&#38;nbsp; MUSIC / PRINT &#38;amp; PAPER 


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		<title>PERFORMANCE</title>
				
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		<pubDate>Thu, 21 Nov 2019 20:13:23 +0000</pubDate>

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	ART / WORKSHOPS /
 PERFORMANCE /&#38;nbsp; MUSIC / PRINT &#38;amp; PAPER

	RADIANT TOOLS - &#38;nbsp;RIPA 2022Solo performance with soft sculpture installation.&#38;nbsp;Was exploring the themes of invisibility and the radical possibilities of the unseen.I took the opportunity as an experiment to work with new methods. Creating a responsive spectacle of light with rudimentary materials.

&#60;img width="5184" height="3888" width_o="5184" height_o="3888" data-src="https://freight.cargo.site/t/original/i/fe9eecb3181030472dbb549c865329548dd3067fbe729e3685bc53805135ce1b/Nina-Vroemen-17.jpg" data-mid="151368837" border="0"  src="https://freight.cargo.site/w/1000/i/fe9eecb3181030472dbb549c865329548dd3067fbe729e3685bc53805135ce1b/Nina-Vroemen-17.jpg" /&#62;&#60;img width="3888" height="2916" width_o="3888" height_o="2916" data-src="https://freight.cargo.site/t/original/i/2f32a04c069ac4a5d6a5f0726681815498eb0b0bf0eb1ba212709e48d1b25881/Nina-Vroemen-13.jpg" data-mid="151368834" border="0"  src="https://freight.cargo.site/w/1000/i/2f32a04c069ac4a5d6a5f0726681815498eb0b0bf0eb1ba212709e48d1b25881/Nina-Vroemen-13.jpg" /&#62;&#60;img width="3888" height="2916" width_o="3888" height_o="2916" data-src="https://freight.cargo.site/t/original/i/67baa6e5707273116f1cf7e470ca8f015cbad2413cc9359615f3fbdd118f2dc5/Nina-Vroemen-15.jpg" data-mid="151368836" border="0"  src="https://freight.cargo.site/w/1000/i/67baa6e5707273116f1cf7e470ca8f015cbad2413cc9359615f3fbdd118f2dc5/Nina-Vroemen-15.jpg" /&#62;&#60;img width="3888" height="5184" width_o="3888" height_o="5184" data-src="https://freight.cargo.site/t/original/i/817b48267b8d68a707dc0b103f7ded6a80e0d7f654646bfe92b2c5a8bda8aea4/Nina-Vroemen-12.jpg" data-mid="151368833" border="0"  src="https://freight.cargo.site/w/1000/i/817b48267b8d68a707dc0b103f7ded6a80e0d7f654646bfe92b2c5a8bda8aea4/Nina-Vroemen-12.jpg" /&#62;

	
ART / WORKSHOPS / PERFORMANCE&#38;nbsp;/ MUSIC / PRINT &#38;amp; PAPER


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		<title>WORKSHOPS</title>
				
		<link>https://ninavroemen.com/WORKSHOPS</link>

		<pubDate>Wed, 27 Nov 2019 03:10:29 +0000</pubDate>

		<dc:creator>Nina Vroemen - Artist</dc:creator>

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ART / WORKSHOPS / 
PERFORMANCE /&#38;nbsp;MUSIC / PRINT &#38;amp; PAPER&#38;nbsp;


	Fleeting FormMcgill University, 2025A workshop series weaving together art &#38;amp; ecology to inspire reflection, connection, and meaningful climate action
&#60;img width="714" height="952" width_o="714" height_o="952" data-src="https://freight.cargo.site/t/original/i/402263a2abfdffaa106624b5099e69b765078a57c46bceca403ad2aaa84cfa87/Screen-Shot-2025-02-24-at-12.59.19-PM.png" data-mid="227142890" border="0"  src="https://freight.cargo.site/w/714/i/402263a2abfdffaa106624b5099e69b765078a57c46bceca403ad2aaa84cfa87/Screen-Shot-2025-02-24-at-12.59.19-PM.png" /&#62;&#60;img width="850" height="823" width_o="850" height_o="823" data-src="https://freight.cargo.site/t/original/i/aaf9a16cabcfaa7cff70c09dea6467f93890f7a4cb3f69d0353268c92fbb87a4/Screen-Shot-2025-02-24-at-12.55.20-PM.png" data-mid="227142891" border="0"  src="https://freight.cargo.site/w/850/i/aaf9a16cabcfaa7cff70c09dea6467f93890f7a4cb3f69d0353268c92fbb87a4/Screen-Shot-2025-02-24-at-12.55.20-PM.png" /&#62;

Imaginer des lieux à l'intérieur des lieux : un atelier sur la vidéo, la projection et l'installation avec l'artiste multidisciplinaire Nina Vroemen.
Rouyn-Noranda, 2025
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/113c89c80f6631b429ecaa68a41e216d261de5a7836b2cf847b13e2d9444ef4b/image00018.JPEG" data-mid="227143021" border="0"  src="https://freight.cargo.site/w/1000/i/113c89c80f6631b429ecaa68a41e216d261de5a7836b2cf847b13e2d9444ef4b/image00018.JPEG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/19f4c3233a4cb456c6668e402252b3ddd59680e43f9c25033c7b122d21996223/image00002.JPEG" data-mid="227143024" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/19f4c3233a4cb456c6668e402252b3ddd59680e43f9c25033c7b122d21996223/image00002.JPEG" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/31aaed3e09b0d1ff7c53a1039751542fb1fad23b73c0d1dc148c31c2fd91e79e/image00005.JPEG" data-mid="227143023" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/31aaed3e09b0d1ff7c53a1039751542fb1fad23b73c0d1dc148c31c2fd91e79e/image00005.JPEG" /&#62;
IMAGE//MOVING//IMAGE,studio 303, 2022

&#60;img width="1476" height="782" width_o="1476" height_o="782" data-src="https://freight.cargo.site/t/original/i/abd97db0cc5415106ef844d20f9d2105bb947f19bdd51ec0da0b935df11d72b0/Screen-Shot-2022-08-17-at-1.12.11-PM.png" data-mid="151425467" border="0"  src="https://freight.cargo.site/w/1000/i/abd97db0cc5415106ef844d20f9d2105bb947f19bdd51ec0da0b935df11d72b0/Screen-Shot-2022-08-17-at-1.12.11-PM.png" /&#62;This workshop is intended for artists and performers from all backgrounds interested in developing a video practice and exploring translation of performance into moving image.Covid-19 transformed the way we share space. The opportunities to perform became almost exclusively virtual; with streaming and video attempting to simulate Live-ness. A demand emerged for artists to rapidly shift their work online, as though band-width and presence were interchangeable; as though a screen could satisfy the desire for a proscenium.In this workshop we will examine the differences between making video as documentation vs. creating dance-video. We will survey different stylistic strategies applied by iconic cinematographers to contemporary choreographers that push the possibilities of feeling in film.In-person explorations of equipment will be offered with basic how-tos to demystify the technology. Local resources will be shared as well as detailed strategies to embrace limitations of space, time, and funding

&#60;img width="1336" height="782" width_o="1336" height_o="782" data-src="https://freight.cargo.site/t/original/i/1133a8cd64a74b7a1a160d41b17ba32b536a7e68c1881e5dec1d0df579376da2/Screen-Shot-2022-08-17-at-1.12.26-PM.png" data-mid="151425088" border="0"  src="https://freight.cargo.site/w/1000/i/1133a8cd64a74b7a1a160d41b17ba32b536a7e68c1881e5dec1d0df579376da2/Screen-Shot-2022-08-17-at-1.12.26-PM.png" /&#62;&#60;img width="1320" height="788" width_o="1320" height_o="788" data-src="https://freight.cargo.site/t/original/i/3256fc02e0e62e6adeb6801c3cd73e3efab9f7b2f281014428d5c8512482962b/Screen-Shot-2022-08-17-at-1.12.37-PM.png" data-mid="151425466" border="0"  src="https://freight.cargo.site/w/1000/i/3256fc02e0e62e6adeb6801c3cd73e3efab9f7b2f281014428d5c8512482962b/Screen-Shot-2022-08-17-at-1.12.37-PM.png" /&#62;

	
TOUCHING WITH THE EYESHaptic visuality workshop at the Klondike Institute of Art and CultureDawson City, YT, 2019&#60;img width="1510" height="1030" width_o="1510" height_o="1030" data-src="https://freight.cargo.site/t/original/i/5a5f69dc7961fc717af9fcb5f2a25232e4d321c4767f75f543f4405d181e1a70/Screen-Shot-2022-08-27-at-10.21.39-AM.png" data-mid="151425510" border="0"  src="https://freight.cargo.site/w/1000/i/5a5f69dc7961fc717af9fcb5f2a25232e4d321c4767f75f543f4405d181e1a70/Screen-Shot-2022-08-27-at-10.21.39-AM.png" /&#62;“In Haptic Visuality, the eyes themselves function like organs of touch... It is more inclined to move than to focus, to graze than to gaze.”This workshop offers an introduction to the history and function of Haptic Visuality in cinema and it’s dynamic uses that generate intimacy and involved viewership.As a moving-image maker I am interested in the ways in which video and film produce new ways of seeing. How you can invite your audience to see new perspectives, to entice, to disorient.The lens becomes a playful tool to envelop the eyes with sensation rather than subject, where narratives can unfold without words: a tactile telepathy.The lichen, fur, tundra, crystallized snow, chandelier ice; the Yukon is a place of supernatural textures and sounds that are witnessed in great expanses but can also be invited into intimate moments.In this workshop we will look at new ways of framing, of touching with the eyes and how to make DIY filters to generate exciting tactile viewing experiences. This activity will emphasize how it isn’t essential to have access to state of the arts camera equipment or learn complicated editing software to obtain dynamic cinematic effects.&#60;img width="1510" height="1034" width_o="1510" height_o="1034" data-src="https://freight.cargo.site/t/original/i/4c254a9bb68c1c82cd45a0410dbeeb8a4631367bef8f56b0cc61f2408a01d70c/Screen-Shot-2022-08-27-at-10.21.48-AM.png" data-mid="151425511" border="0"  src="https://freight.cargo.site/w/1000/i/4c254a9bb68c1c82cd45a0410dbeeb8a4631367bef8f56b0cc61f2408a01d70c/Screen-Shot-2022-08-27-at-10.21.48-AM.png" /&#62;


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		<title>PRINT &#38; PAPER</title>
				
		<link>https://ninavroemen.com/PRINT-PAPER</link>

		<pubDate>Thu, 21 Nov 2019 20:28:57 +0000</pubDate>

		<dc:creator>Nina Vroemen - Artist</dc:creator>

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ART/ WORKSHOPS / 
PERFORMANCE/ MUSIC / PRINT &#38;amp; PAPER /

“the nuclear mundane”potassium iodine painting, collage2022&#60;img width="1440" height="1800" width_o="1440" height_o="1800" data-src="https://freight.cargo.site/t/original/i/20fb2b0704b4a0c75f7f4f9e32cf3901ce298090b8dc99541a5ea368ffe19b4b/03597034-DE95-4523-82DE-8EAE5B022939.JPG" data-mid="151427149" border="0"  src="https://freight.cargo.site/w/1000/i/20fb2b0704b4a0c75f7f4f9e32cf3901ce298090b8dc99541a5ea368ffe19b4b/03597034-DE95-4523-82DE-8EAE5B022939.JPG" /&#62;Inspired by Jessica Hurley's book, Infrastructures of Apocalypse: "when we speak of the nuclear as an always-absent referent, as that which we cannot think, we limit our object of study to the bomb itself, and then only to its imagined futures: the mushroom clouds that we imagine blooming across the continents and destroying life on this planet...The nuclear mundane approaches the nuclear age with an eye for its material realities, focusing on the environmental, infrastructural, bodily, and social impacts of nuclear technologies and the politics that prioritize them."Exhibited in the Concordia MFA show Maureen VII
EXPERIMENTS WITH POTASSIUM IODINE
Marbling paper with Iodine, 2022
&#60;img width="1136" height="640" width_o="1136" height_o="640" data-src="https://freight.cargo.site/t/original/i/2b4015537b274a4f67ec3495b4b05c0b55df66aeb28eaec6c998f79137dba19e/IMG_7421.JPG" data-mid="151427230" border="0"  src="https://freight.cargo.site/w/1000/i/2b4015537b274a4f67ec3495b4b05c0b55df66aeb28eaec6c998f79137dba19e/IMG_7421.JPG" /&#62;
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&#60;img width="6240" height="3512" width_o="6240" height_o="3512" data-src="https://freight.cargo.site/t/original/i/7fcc04ac7a4727c2f2dd1e12768cb9319c39c735a3f06a65981a64cfa346fbd8/DSCF8867.JPG" data-mid="151427233" border="0"  src="https://freight.cargo.site/w/1000/i/7fcc04ac7a4727c2f2dd1e12768cb9319c39c735a3f06a65981a64cfa346fbd8/DSCF8867.JPG" /&#62;
PREPARE TO BE SAFE series of three iodine paintings.

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		<title>MUSIC</title>
				
		<link>https://ninavroemen.com/MUSIC</link>

		<pubDate>Thu, 21 Nov 2019 20:12:50 +0000</pubDate>

		<dc:creator>Nina Vroemen - Artist</dc:creator>

		<guid isPermaLink="true">https://ninavroemen.com/MUSIC</guid>

		<description>

ART/ WORKSHOPS / 
PERFORMANCE / MUSIC / PRINT &#38;amp; PAPER 

BLU HOURAll songs written, performed and produced by Nina Vroemen. project can be found here.
&#60;img width="1162" height="1190" width_o="1162" height_o="1190" data-src="https://freight.cargo.site/t/original/i/ee49c5fc6fd17bbe98081bcec8a250f2f245e8727ef1d7b162b079f2615cb82d/BLUHOUR.png" data-mid="151425815" border="0"  src="https://freight.cargo.site/w/1000/i/ee49c5fc6fd17bbe98081bcec8a250f2f245e8727ef1d7b162b079f2615cb82d/BLUHOUR.png" /&#62;


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